Philosophy Behind Multi-Dimensional Architectural Perspective in Mughal Miniature

Abstract

Representation of architecture in visual imagery is used to influence the viewers and to amplify the connotation of the painting. Architectural backgrounds are noticeable in art from the early civilizations but in their respective styles. Representation of architecture in Mughal art is based on the Islamic philosophy concentrating imitation and imagination. The two-dimensional presentation of architecture in Mughal miniatures denies the act of imitation and provokes the role of imagination in the style of representation. A comparative analysis is created with Western Renaissance art that is based on the empirical methods of achieving linear perspective in paintings. This paper draws attention to the fact that Mughals presented an alternative way of seeing in miniature. The research methodology employed to unveil comparations and evaluations is based on quantitative and analytical research. The outcome of the research suggests that Mughals derived a specific style of depicting architecture in miniature painting that provokes imagination. The style of representation is flat, decorative, monumental and two-dimensional along with the portrayal of multiple view perspective in a single scene to record multiple events happening simultaneously at a time.